3DArtist,YongjinJo_3D배경아티스트 조용진 Details
Class introduction
introduction video
3D background artist, Yongjin Jo
“Learn the essential elements of background production and how to place each element when actually creating a scene.”
Solid 3D game background theory for implementing ‘design-wise’ completed scenes!
As 3D modeling technology develops, the 'design ability' to construct a scene has become more important than modeling skills! You cannot become a competitive 3D background artist simply with the ‘skill’ of 3D rendering.
Learn the essential design theories you need to know to create high-quality scenes that reflect a solid story and personality with current Amazon Studios background artist Yongjin Jo!
In this class, we will approach 3D background art from a logical perspective and teach you everything from the clear characteristics of each object to the know-how to create high-quality scenes in practice.
Furthermore, if you dream of working overseas as a game background artist, don't miss this class, which is full of must-know points and how to create a portfolio!
Furthermore, if you dream of working overseas as a game background artist, don't miss this class, which is full of must-know points and how to create a portfolio!
What is set dressing?
(Set Dressing)
Set dressing is the process of producing and arranging the objects and props that make up the background according to intention, and is a very core process in creating scenes with excellent storytelling and sense of space . In fact, famous overseas game companies such as Naughty Dog consider set dressing skills to be much more important than 3D tools, so it can be said that it is an essential skill to build if you are preparing for a job abroad.
Portfolio of speaker Yongjin Jo , a 3D background artist with detailed object placement and a sense of space.
The Last of Us Part II
NEW WORLD
Why Take This Class?
In order to become a 3D background artist with global competitiveness beyond Korea, it is very important to develop a clear understanding of concept art and 'set dressing skills' to arrange objects according to intention, in addition to technical aspects.
While the academy has only focused on 'how to draw and make it 3D', in this class you can vividly learn about the difference between art and design and how to understand and design the actual background in practice.
We hope that you will complete a portfolio that combines not only aesthetic beauty but also a logical approach with artist Yongjin Jo , who has over 10 years of experience working at famous overseas companies such as Naugthy dog and Amazon, and become a world-class 3D background artist who is also known in the overseas game industry.
Speaker introduction
3D Background Artist
Yongjin Jo
Hello, this is 3D background artist Yongjin Jo.
After taking a game and entertainment design training course in the United States, I participated in creating backgrounds for various projects for famous overseas game companies such as Naughty Dog and Sony Playstaion, and am currently working as an Environment Artist at Amazon Studio.
Many people approach 3D background art as a fine art without an accurate process, so it takes a lot of time to produce and is experiencing difficulties.
This lecture is designed to help you develop design thinking skills by systematically learning logical design theories and learn ‘how to design extremely efficiently.’
We will teach you everything, from the clear differences between art and design to the elements you need to consider when creating a high-quality design background, and even how to create a portfolio needed for employment in the overseas game industry. Through this lecture, you will be able to develop your own solid story and personality. Create a scene that reflects this!
Improve your understanding of set dressing through this example exercise.
Sketch Process
Design Process
Variation
Proportion
Color
Scene Composition
*The image is an example to help understand the lecture and may be slightly modified later.
3D background artist Yongjin Jo
Current) Amazon Studios (April 2021 ~)
View more history
[Record]
- Former) Sony Playstation (2020.6~2021.4)
- Former) Naughty Dog (May 2018 ~ May 2020)
- Former) Section Studios (2013.4 ~ 2018.5)
[Participating Project]
- New World
- The Last of Us Part II
- Alone in the Dark
- Bioshock
- Dead Realm
- Tinertia
-Eclipse
class features
class features
The scene composition know-how of the background artist of 'The Last of Us Part II', a masterpiece that left a mark in the North American game market
Let's take a detailed look at the actual scene production know-how of artist Yongjin Jo , who created high-quality backgrounds for projects such as Bioschock and Alone in the Dark, as well as 'The Last of Us II', which led to a global craze.
Learning the essential elements to create a ‘design-wise’ complete background
Ultimately, what is more important than 3D technology is the ability to design space, so we will accurately understand the elements that need to be considered when creating backgrounds, such as shape, strength and weakness, proportion, light, and color, and learn how to logically approach background art through that.
Guide to preparing for overseas employment and competencies required in the U.S. gaming industry
We will provide you with the speaker's know-how and overseas employment strategies, as well as vivid overseas employment stories of Speaker Cho Yong-jin, who have built a successful career as a background artist at top companies in the gaming industry such as Amazon Studios, Yongjin Jo Dog, and Section Studios.
Class composition
learn this
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Understand the approach to game art and the skills needed for a background artistFirst, we will learn about how to approach background art logically and scientifically, and we will look at the skills that a 3D background artist must have, such as scene composition and an eye for references. -
Understanding of shape design and strengths and weaknessesLearn about the positive and negative characteristics of objects depending on their shape, and learn about the strengths and weaknesses of objects/scene units and structures/natural objects. -
Harmony considering proportions and contrast expression according to detailsLearn how to express harmony between buildings and natural objects, setting appropriate proportions based on broken windows, and contrasting effects based on distance.
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Know-how on using light, shadow, and colorLearn about Clean Paths or Blockers that are implemented depending on the use of light and shadow, and learn practical know-how to easily use color in a scene. -
Game set dressing design and practiceUsing what we have learned so far, we will construct natural objects and battle scenes, and practice set dressing considering Collision, Density, and Optimization. -
Portfolio creation method and tips for overseas employmentIf you're aiming to get a job in the overseas game industry, we'll hear vivid stories about portfolio creation points you need to know, know-how on art tests and the importance of networking, and even realistic stories about permanent residency.
curriculum
curriculum
Show me the curriculum
SECTION 01. Orientation
01. Self-introduction, lecture plan, American practice story
- Self-introduction: Introduction of career, work
- Lecture Introduction
- What role does an Environment Artist play in the company?
02. How to build game art (American art approach: logical approach)
- Differences between traditional art and digital art
- Why is concept design a science major?
- How to Sketch Efficiently
03. Value Sketch
- How does an American concept artist draw? Why?
- What is a Value Sketch?
- How to use the Value sketch
- Value Sketch Process
SECTION 02. Visual Development / Set dressing Skills
04. Structure Design
- Structural analysis and design
05. Shape Design
- Shape's personality
- Application of Shape in Scene
06. Variation
- Strengths and weaknesses in a set of objects
- strengths and weaknesses in the scene
- Strength and weakness in structures
- Strength and weakness in natural objects
07. Proportion
- Harmony between buildings and natural objects
- Variations: Buildings and collapsed buildings, windows and broken windows
- Ratio of buildings and natural objects
- How to add natural objects (Photoshop)
08. Shape and Detail Contrast
- Expression of near, middle, and distant views
- Shape contrast
- detail contrast
09. Silhouettes Design
- The importance of silhouette
- silhouette contrast
10. Lighting and Shadow
- Constructing a scene
- Setting the light
- How to use Shadow
11. Color (Understanding color)
- Color settings in the scene
- time and color
- How to use Color easily
- Apply color to scenes and characters
12. Game Asset Creation A
- Modular Modeling
- Asset Variations
13. Game Asset Creation B
- Debris, Trash
- Game Path
- Space Design
- Structure Design
- Set dressing variations
14. Game Asset Creation C
- Edge detail
- Texture Density Adjustment
- Optimizing
- Set dressing skills for game
SECTION 03. Outro
15. Popul strategy for employment in the US, story of employment in the US
- Popol theorem
- art test
- Similar concept (style) popol preparation
- Social network and permanent residency
interview
What 3D background artist Yongjin Jo wants to say
Question. 01
What are the strengths or differentiating points of this lecture?
What are the strengths or differentiating points of this lecture?
The biggest strength of this lecture is that it clearly teaches you how to 'logically' approach background design or entertainment design . In particular, I will teach you a new approach to 3D background art, based on my experience studying background art in both Korea and the United States. We will take a different approach from what we learned in Korea and pass on the know-how to create more complete scenes.
Question. 02
Currently, what is the most difficult part for people who dream of becoming game background artists in Korea?
Currently, what is the most difficult part for people who dream of becoming game background artists in Korea?
Job seekers who dream of becoming game background artists, or many practitioners, are currently at a loss because they are trying to express their drawings as 'pure art' without an accurate process, so it takes a long time to produce them, and they are used to modifying references. Through this lecture, we hope that you will be able to create high-quality scenes more efficiently than now by systematically learning the design theories necessary for 3D background artists from the basics.
Question. 03
What areas can students improve or gain from this lecture?
What areas can students improve or gain from this lecture?
For those who have only focused on 'how to draw and express' background art, this lecture will feel like a new world. In the end, in order to create a high-quality scene, quality is determined not only by artistic expression but also by knowing the logical way to construct the scene. If you accurately understand the components of a scene and embody the methods of various artists, you will be able to create a scene that stands out with your own differences.
We will guide you through the program to use.
This class will be conducted using Adobe Photoshop 2021 .
To ensure smooth course participation, please install the corresponding version of the program separately.
* We recommend preparing a tablet.
* Programs and materials are not provided separately.
