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Practical Illustration Guide for Self-Learners

Illustrator, Syagamu




Class Details


  • Basic~Advanced
  • Total 30 videos
  • Korean
  • English, Traditional Chinese, Spanish
  • Class materials included



[Course]illustrator,syagamu_샤가무KR Details

Curriculum
Curriculum

In-Depth Look

**Class release dates and content are subject to change without prior notice.
  • SECTION 01
    How to Make the Most of This Class and Setting up Tools
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    • 1. Before Starting the ClassClass introduction and direction About the curriculum and how to best utilize this class Assessing your goals as a creator Your strengths and weaknesses, vision, skills, and insights The first step to studying illustration the right way

    • 2. Understanding Illustrations and Acknowledging Your Current SkillsIllustration concepts and classifications Identifying the type of illustration you want to make The keys to improving your skills fast: Observation skills and an objective view of yourself Concepts frequently used in this class

    • 3. Setting up Clip Studio Paint for a Faster Work ProcessComparing the tools and their advantages and disadvantages Setting up Clip Studio Paint, focusing on efficiency Making brushes that suit your needs Setting up auto-actions and shortcuts/hotkeys

    • 4. No Input, No Output: References and ArchivingA base camp for creation: A guide to archiving Tools for managing references Setting up your workspace for working long hours Managing your projects safely using the Cloud

  • SECTION 02
    From the Basics to Application: Mastering Practical Theory
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    • 5. Absolute Basics: Drawing Croquis and CopiesQ. How do you draw croquis?: The A to Z Reasons for drawing croquis When do you need to draw croquis, and how? Q&A and tips for croquis drawing Similarities and differences between drawing copies and croquis

    • 6. Improving Your Drawing Skills: Practicing Drawing Croquis and CopiesQ. I want to be better at drawing. Recommended books for drawing beginners Practical croquis drawing: Gesture croquis, form croquis, negative croquis, plane croquis [Solution] Recommended books for drawing beginners and 9 exercises in drawing croquis and copies

    • 7. Understanding Space to Transform Your Illustration: The Basics of 3D ShapesQ. I just want to draw pretty characters, so why do I need perspective? The relationship between three-dimensionality and perspective, which determine an illustration’s quality Key components of perspective Drawing more natural-looking 3D spaces Drawing simple objects and the chibi style Utilizing Perspective rulers and 3D tools 6 exercises in how to study 3D shapes

    • 8. Key Points in Character Illustrations: The Basics of Face DrawingQ. I want to draw more natural-looking faces using various angles. Why figure drawing starts from the head What does it mean to simplify into shapes, and why is it necessary? Understanding facial features based on the basic structure and 3D shape of the head Understanding the principles of drawing hair and its structure Drawing the head from various angles 4 exercises in how to study the face

    • 9. Drawing Appealing Faces: Advanced Face DrawingQ. I want to draw more beautiful, trendy-looking faces. Exploring the features of an attractive face Key points in stylizing the eyes, nose, and mouth Exploring common mistakes 5 exercises in how to study stylization

    • 10. Practical Figure Drawing BasicsQ. I don’t know where and how to start studying figure drawing. Understanding the basic components of simplifying the human figure into shapes Perceiving the arms and legs as a flow Ideal body proportions in drawing Finding the best simplification method for you 5 exercises in how to study figure drawing

    • 11. An Easy and Practical Guide to Anatomy: Advanced Figure DrawingQ. Do I have to study and memorize all these bones and muscles? Why you don’t need to memorize the human anatomy as a whole Studying bones and muscles focusing on the key landmarks Drawing natural-looking bones and muscles Drawing attractive hands and feet 2 exercises in how to study anatomy

  • SECTION 03
    From Basics to Advanced - Deep Dive into Character Expression
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    • 12. Making the Most of a Character’s Appeal: Character Drawing 1Q. My characters’ poses look unnatural and their bodies look rigid. The basics of emphasis and the necessity of distortion Understanding and applying contrapposto Stylization to emphasize a character’s characteristics 2 exercises in how to study character drawing

    • 13. Drawing Natural-Looking Clothing Folds: Character Drawing 2Q. It’s so hard to draw clothing folds. Understanding the three components of a fold Exploring the properties of different materials 3 exercises in how to study clothing folds

    • 14. Mastering the Principles of Light and Color: The Basics of LightQ. My illustrations have such bad colors. Simple and practical light theories (Light, shadow, ambient light, occlusion shadow, light source, etc.) Color theories (RGB, HSV, principles of light) About materials 3 exercises in how to study light

    • 15. Utilizing Light to Boost Your Illustration’s Quality: Advanced LightQ. My illustration looks dull and heavy once colored. How to make an eye-catching illustration Understanding the light and shadow areas Midtones and reflected lights Exercises in how to study light stylization

  • SECTION 04
    Growing as a Self-Studying Illustrator
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    • 16. Stages of Learning: The Efficiency-Oriented Illustration ProcessQ. I don’t really know what I should draw. Q. I can’t achieve the quality I want. Q. I’m not satisfied with the finished illustration. Introducing the practical illustration process How to build up ideas How to find references and use them the right way Idea visualization: Drawing a thumbnail Looking back on your process 2 exercises in how to study the illustration process

    • 17. Boost the Look of Your Illustration: How to Plan an IllustrationQ. I always draw the same things. Q. How can I use more various compositions? Intention: The most crucial element of an illustration Illustration composition theory to convey your intention effectively Demonstrating how to revive a plain-looking illustration How to study illustration composition: 4 croquis drawing exercises

    • 18. Freely Drawing Compositions You Want: Planning an Illustration in PracticeQ. I want the character to stand out more. Q. I find it hard to place the character in the background. Creating compositions for character-centered illustrations Creating illustration compositions using backgrounds and objects Creating compositions for illustrations with backgrounds using 3D tools How to study illustration composition: 3 exercises in drawing copies and observation

    • 19. The Key to Creating Forms: The A to Z of Line DrawingQ. The rough sketch loses its original look once I redraw its lines. Q. It takes so long to redraw lines. Understanding “lines” 6 tips for redrawing lines for clean line art 4 ways to redraw lines faster 3 exercises in how to study lines

    • 20. Coloring and Depiction That Saves Time and Boosts QualityQ. My coloring process takes too long. Efficient coloring and making the most of tools How to depict while preserving the thumbnail’s look Coloring tips for naturally increasing density 2 exercises in how to study coloring and depiction

    • 21. Maximizing Density with DetailsQ. I don’t know when I should call the illustration finished. Q. I want to improve the quality but don’t know how. What makes an illustration complete? Practical tips for adding details Introducing a Sample of a Detailed Study Method

    • 22. Enhancing Quality to the Max: Retouching and CompletionQ. My illustration seems to lack something even though it’s finished. Q. I don’t have any retouching skills. How to retouch while emphasizing your intention Understanding color correction layers (Tone curve, gradient) Achieving a vibrant look (Chromatic aberration, grain, motion blur) Useful retouching tips Introducing a Sample Retouching Study Method

  • SECTION 05
    6 Illustration Trends Explored Through Demonstrations
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    • 23. Diversifying Your Coloring: Advanced Coloring Styles 1Demonstrating the key points in each coloring method 1 Lines and 3D shapes: Focusing on line art and Focusing on 3D shapes [Advanced] From line art to 3D shapes

    • 24. Diversifying Your Coloring: Advanced Coloring Styles 2Demonstrating the key points in each coloring method 2 Color and light: Focusing on local colors and Focusing on ambient light [Advanced] Distorting colors Touches: Focusing on textures and Focusing on cleanliness

    • 25. Diversifying Your Coloring: Advanced Coloring Styles 3Demonstrating the key points in each coloring method 3 Reflectivity: Focusing on a matte finish and Focusing on transparency Working on backgrounds: Focusing on reality and focusing on intention

  • SECTION 06
    Becoming an Illustrator Who Can Grow Independently
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    • 26. The Ideal and Reality of Freelance Illustrators, and Must-Have QualitiesQ. How can I become a freelance illustrator? The ideal and reality of freelancing What kind of illustrator are you?: Conceptualizing yourself Time management tactics for freelancing The importance of promoting yourself on social media and related tips Trend analysis skills to keep up with the industry

    • 27. A Beginner’s Guide to Taking Commissions: From Signing Contracts to Managing Your ProjectsQ. How do I take commissions? If I do, what’s the next step? Preparations to take commissions The overall process of creating a commissioned illustration Commercial vs. non-commercial commissions Differences in work process between illustrations for games, VTubers, and other genres Things to note when creating a contract, determining prices, etc.

    • 28. The Current Level of Your Illustration and Your Goal: The Art of Self-Reflection and MotivationQ. I don’t know what makes my illustration look unnatural. Q. What else should I study? Q. I can’t find anything I want to draw. Q. Drawing doesn’t feel as fun as before. Q. I don’t have time to study illustration. Q. I want to give up studying because it’s too hard.

    • 29. Overcoming Slumps and the Feeling of Inferiority: Healthy Stimulation and the Right Way to Take a BreakQ. I feel inferior and jealous of others. Q. I feel people like everything but my illustrations. Q. I’m not getting followers. Q. I think I’m experiencing a slump/burnout. Q. My skills don’t improve, no matter how much I draw. Maybe I don’t have talent.

    • 30. Congratulations on Finishing the Class!Summarizing key points Syagamu’s message for all learners

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